Anna Barham, b. 1974, UK. Lives and works in London > Artist Bio > Press
Cat Licks Vitrine
Festival des Arts à Reims
FRAC Champagne-Ardenne, Reims, FR
2018
Out of the Gravel
2022
printed paper, embedded objects, colour wash lights, 2 HD videos
dimensions variable
Installation view:
Some crosses voices
Institut d’art contemporain, Villeurbanne/Rhône-Alpes, Lyon, FR
Out of the Gravel
2022
printed paper, embedded objects, colour wash lights, 2 HD videos
dimensions variable
Installation view:
Some crosses voices
Institut d’art contemporain, Villeurbanne/Rhône-Alpes, Lyon, FR
We may be ready to have verbal intercourse (detail)
2017/21
ink on paper pasted to glass and wall, embedded objects
Installation view:
/S/T/R/O/B/E////L/I/C/K////
Flat Time House, London, UK
2021
Installation view:
/S/T/R/O/B/E////L/I/C/K////
Flat Time House, London, UK
2021
Now forget Everything you ever know or thought
2021
ink on paper, printed acrylic, aluminium frame
358 x 358 x 35 mm
Installation view:
/S/T/R/O/B/E////L/I/C/K////
Flat Time House, London, UK
2021
een the two of them
2021
ink on paper, engraved acrylic, aluminium frame
358 x 358 x 35 mm
Performance still:
As felt as if
2021
Spoken word
Duration: 12′ 30”
>> listen HERE (https://soundcloud.com/banana_harm/as-felt-as-if)
Performance Exchange
Chelsea Space, London
09.07.2021
p- ool- s o-f t- he ou- t l- ine- s
2021
Window Commission
Chelsea Space, London, UK
p- ool- s o-f t- he ou- t l- ine- s
2021
Window Commission
Chelsea Space, London, UK
Installation view:
Light Swathes Crossing
2020
Arcade, Brussels
Light Swathes Crossing
2020
HD Video
15’29”
Installation view:
Light Swathes Crossing
2020
Arcade, Brussels
Knowing yourself by yourself means poison
2020
ink on paper, aluminium frame
358 x 328 x 35 mm
Let’s face it
2020
ink on paper, printed perspex, aluminium frame
358 x 328 x 35 mm
Crystal Fabric Field
2019
powder coated steel, MDF
Installation view:
Liquid Crystal Display
MIMA, Middlesborough, UK
Crystal Fabric Field
2018
powder coated steel, MDF
Installation view:
Liquid Crystal Display
Site, Sheffield, UK
Sick Ardour
2017
HD video
8’25”
Installation view:
Sick Ardour
Gallery, Ex Libris, Newcastle University, UK
Afterwards man peels off the outlines that were felt
2018
video
6’56”
Installation view:
Cat Licks Vitrine
Festival Reims Scénes de Europe,
FRAC Champagne Ardenne, Reims, FR
Installation view:
Tangram Posture, Centre Pompidou, Paris, FR
2015
The Squid That Hid
2015
HD video with sound
5’06”
Installation view:
Skw, c-o-m-p-o-s-i-t-e, Brussels, BE
-52nthjt3k8
2015
HD video, silent
1’23” loop
Installation view:
Skw, c-o-m-p-o-s-i-t-e, Brussels, BE
Breath Mark
2015
UV print on rainbow holographic paper, mounted on aluminium
96.5 x 69 cm
Double Screen (Not quite tonight jellylike)
2013
2 channel HD video
32″
Installation view:
Not quite tonight jellylike, Arcade, London, UK
Double Screen (Not quite tonight jellylike)
(production still)
2013
2 channels HD video
32″
Argent Minotaur Slept
production still
2012
HD video, silent
8’08”
Liquid Consonant
(production still)
2012
HD video loop with sound
White City
2012
Commission at White City Station for Art on the Underground’s Central Line Series
60 posters, 3 online video works
White City
2012
Commission at White City Station for Art on the Underground’s Central Line Series
60 posters, 3 online video works
Arena
2011
sound 45 min (loop)
Wood, MDF
525 x 525 x 150 cm
Iris
2011
Digital Projection (still)
58 secs
>> video (http://www.annabarham.net/video/iris.html)
Narrate Lotus Pigment
2010
7 Drawings, brio on paper,
Aluminium Frames
315 x 95 x 4 cm
Narrate Lotus Pigment
(Arrant Smut Glee)
2010
7 Drawings, brio on paper,
Aluminium Frames
315 x 95 x 4 cm
A Splintered Game
2009
Steel, Fluorescent Lights, Random Switching Unit
150 x 110 x 85 cm
A Splintered Game
2009
Steel, Fluorescent Lights, Random Switching Unit
150 x 110 x 85 cm
Spied Elegant Arm
2009
7 drawings, brio on paper, aluminium frames
91 x 315 x 4 cm
Installation view:
Stutter, Tate Modern, London